Dr. Zhivago

Broadway
Broadway Theatre
May 2, 2015 matinee

Last weekend, I saw a performance of the new Broadway musical, Doctor Zhivago. Based on the book written by Boris Pasternak, Doctor Zhivago was denied publication in the USSR due to its anti-socialist nature and persuasive, political insinuations of a corrupt and volatile Soviet government, but successfully gained publication in Italy in 1957. The book has also been translated into a 1965 film starring Omar Sharif and Julie Christie. The musical depicts the life of Yurii Zhivago, a physician and poet living in Russia during the Russian Revolution and World War I, as he strives to fulfill his passion for poetry and his love for Lara, while eluding troubled Soviet revolutionaries.   

The storyline is a bit intricate and convoluted, so the plot must be researched prior to seeing the stage musical, much like Les Miserables. The backgrounds of the characters are presented in the opening number, but if you blink, you may miss a very important piece of the puzzle. So, please do your homework. The show will be much more enjoyable and meaningful. 

In a nutshell, Yurii Zhivago is taken in by the Gromekos after the death of his mother when he is only a young boy. The Gromekos have a young daughter named Tonia who is about the same age as Yurii and the two fall in love and marry as adults. At the wedding, an angry and unrecognized woman (Lara) storms in with a gun and attempts to shoot the ruthless lawyer, Komarovsky, who we later find out has been forcing her into a romantic relationship for some time. Lara and Yurii meet for the first time and he suspects that there is a justifiable motive for her seemingly insane actions. She disappears and later marries Pasha, but when Pasha finds out about the affair with Komarovsky, he storms off and joins the Imperial Russian Army. Yurii, who is now working in battlefield hospitals, and Lara, who is volunteering as a nurse, cross paths once again and fall in love. To avoid spoilers, I will simply say that the remainder of Doctor Zhivago chronicles their love story and their tragedy. 

Doctor Zhivago is a beautifully crafted story and a valuable lesson in world history. Although they were unrecognized by the Tony nominators, the cast of Doctor Zhivago is really quite phenomenal. Ultimately, I believe that this production received a lukewarm reception, not because of a dearth of talent, but because the content is simply too heavy for Broadway audiences. 

The mood of the production is dark and grim, even bleak at times, especially during the second act. After all, the story does take place during a war and the writers could not avoid the depiction of bloodshed on stage. Audiences want to laugh and smile when they go to the theatre and many theatre-goers prefer shows that offer something a bit lighter and easier on the brain (not a history lesson). Further, I don’t believe that most Broadway audiences appreciate the historical significance of the story and the political power and influence of the book. Lastly, I didn’t see much media coverage of this production compared with other new musicals this season. Dr. Zhivago was sorely lacking much-needed “hype”. 

In my opinion, this lukewarm reception is unfortunate because the historical context is extremely interesting and the book is quite thought-provoking if you can get past the gunshots and explosions and bloodshed. The characters in Dr. Zhivago offer a degree of depth that is not always evident in modern theatre; in this sense, the show was refreshing because it is “something different” on a Broadway stage. Yet, I’m not terribly surprised that the show will close this Sunday because I can see that it’s not for everyone. I liked it. 

Tam Mutu makes his Broadway debut as Dr. Zhivago. He was an impressive stage presence and had great chemistry with Kelli Barrett, who played his love interest, Lara. I thought that Kelli Barrett carried the show and truly embodied her character. Her singing had a mournful quality to it, ideal for this character. My favorite performance (and probably the favorite of many people) was Paul Nolan as Pasha. I cannot even fathom how he did not get a Tony nomination for his performance. His character certainly undergoes the greatest transformation of anyone, and his performance encompasses both comedic and dramatic acting. The beauty of his performance is that, despite playing an abhorrent villain, I could not hate him, which is truly a testament to his portrayal of his character’s depth. As Tonia, Lora Lee Gayer sang beautifully, shared what was probably the best scene in the entire show with Kelli Barrett, and wore the most gorgeous costumes. Tom Hewitt, as Komarovsky, was just about perfect for his complex character. A great cast. 

Because of my seat in the front row, I had limited view of the sets, so I will not comment on them. The music (Lucy Simon) was pretty good. The most memorable song was Paul Nolan’s comedic number in the first act (I believe it was called “It’s A Godsend”). Some of Kelli Barrett’s songs were also quite beautiful (and mournful), like “When the Music Played”. 

Dr. Zhivago will close on Broadway this Sunday, May 10. 

Jesus Christ Superstar

Broadway

Neil Simon Theatre

March 31, 2012 matinee

Currently playing at the Neil Simon Theatre is the 2012 revival of Andrew Lloyd Webber’s Jesus Christ Superstar, a rock opera which depicts the final week of Jesus Christ’s life through the unique perspective of Judas Iscariot. Completely sung-through, Jesus Christ Superstar is a modern interpretation of the crucifixion boasting a powerful score with a 1970‘s “feel”. As rumors of a possible July 1st closing date surface, I’d like to briefly remind theatre-goers of all the wonderful aspects of this production, which opened on March 22, 2012. 

At the heart of this production is its powerful score, which demands the incredible vocal talent and range of Paul Nolan (Jesus) and Jeremy Kushnier (u/s Judas). If you want to be impressed by amazing vocals, look no further than these two talented men. 

Paul Nolan was perfectly cast as Jesus Christ. He portrayed Jesus with more intensity and uncertainty than I had expected, with a sense of calm and thoughtfulness that alternated with torture and conflict. When he was on stage, I temporarily believed that he was Jesus Christ. Why didn’t he receive a Tony nomination????

Jeremy Kushnier did a wonderful job of portraying the jealousy and conflict within Judas, and dare I say, made him more human to the audience. Between his stellar acting and insanely incredible vocals, I would have to say that Jeremy Kushnier is one of the best understudies I’ve ever seen perform. 

Chilina Kennedy was a quiet but strong presence on the stage as Mary Magdalene. Her sweet and simple voice was ideal for the 1970’s folk style songs, “Everything’s Alright” and “I Don’t Know How To Love Him”. I thought there was great emotional chemistry between her character and Paul Nolan’s Jesus. 

And while the score is generally upbeat and even comical at times (most notably in “King Herod’s Song” sung by the very funny Bruce Dow), the production succeeds at portraying the emotional gravity of the story.  During the crucifixion scene, the sniffling of a tearful audience could be heard throughout the theatre. At the conclusion of the show, audience members leapt to their feet, cheering “Bravo”, and giving a standing ovation.  

Jesus Christ Superstar is a must-see for all theatre fans. Get your tickets now! 

Tony Snubs!

Tony Awards night is rapidly approaching!  Are there any shows or actors that you feel should have been nominated but were not?  Tony nominations would not be complete without a few “snubs”! 

1.) Melissa van der Schyff as Blanche Barrow in the ill-fated new musical, Bonnie and Clyde. Her strong, emotional portrayal of Clyde’s God-fearing sister-in-law should have earned her a nomination for best featured actress in a musical. While the Tony committee may have forgotten about her heartfelt, comedic performance, I have not, and I hope you haven’t either! 

2.) Bonnie and Clyde for best new musical. Please refer to my blog entry from 1/22/12. http://standingovationsbroadwayblog.blogspot.com/2012/01/bonnie-clyde-broadway-schoenfeld.html 

Original, memorable, and witty, Bonnie and Clyde had everything you could want in a musical- beautiful music by Frank Wildhorn, a smart story-line, action-packed drama, and a talented group of Broadway actors- but this didn’t prevent the show from closing early due to poor ticket sales. 

I am happy that Bonnie and Clyde was not entirely forgotten- it did receive two nominations- one for best score (completely deserved) and another for best actress in a musical (Laura Osnes as Bonnie, also completely deserved). 

3.) Paul Nolan as Jesus Christ in Jesus Christ Superstar.  Come on, he rocks the Neil Simon Theatre eight times per week as Jesus Christ, the ULTIMATE mammoth role, AND he does it really well. A Tony-nomination for best leading actor in a musical would have been well-deserved. 

4.) Bernadette Peters as Sally Durant Plummer in Follies. She has seven Tony nominations, two Tony Awards, and she will be receiving the Isabelle Stevenson Award at this year’s Tony Awards ceremony, but it doesn’t make this snub any less sad.  Only Bernadette Peters can find the emotional depth of an unstable character and have a nervous breakdown while singing a song like “Losing My Mind”. That’s all I have to say about that.  

5.) Raul Esparza as Jonas Nightingale in Leap of Faith. This man did not stop dancing, singing, or preaching during this two and a half hour musical.  ENERGY. He’s got it.  But it didn’t earn him a Tony nod.  

6.) Adam Chanler-Berat as Boy in Peter and the Starcatcher.  We all loved Adam Chanler-Berat in Next to Normal and the off-Broadway revival of Rent, but he really shows off his acting chops as Boy in Peter and the Starcatcher. This may be his best performance yet!  

7.) Elena Roger as Eva Peron in Evita.  Born in Argentina, there is something very authentic about this actress’ performance as the powerful, though unfortunate, first lady of Argentina. This omission is just a shame.