May 16, 2013

Matilda

Broadway
April 20, 2013
Matinee

Synopsis: Matilda Wormwood is an exceptional little girl who is born into un-exceptional circumstances. Her mother is vain, shallow, and loud. Her father is a dishonest, book-loathing car salesman, who can’t seem to remember that Matilda is, indeed, a girl. Her brother is dull and dim-witted. Matilda finds an escape in books and story-telling, and she eagerly embraces the start of school. However, school brings new challenges, most notably, the evil, child-hating headmistress- Miss Trunchbull. Matilda unleashes secret powers in order to help her fellow classmates, her new teacher, Miss Honey, and herself. Winner of seven Olivier awards, Matilda was recently nominated for twelve Tony Awards. 

Comments: Based on the beloved book by Roald Dahl, the most remarkable thing about Matilda is that it is appropriate and enjoyable for people of all ages. Part of this is due to Dahl’s ability to portray the darker side of childhood, and this is not lost in the transition from book/movie to musical thanks to book writer Dennis Kelly. 

The title role is shared by four young actresses. It should be noted that the four Matildas are not eligible for a Tony Award, but instead, are sharing a special Tony Honor at this year’s Tony Awards. My Saturday matinee Matilda was the very spunky and adorable Miss Sophia Gennusa, who rapidly won the hearts of the audience members.  I particularly loved her performance of “Naughty”, which I thought was written, choreographed, and performed cleverly. Sophia’s Matilda was quietly intense, mysteriously imaginative, and wise beyond her years. 

I can’t talk about Matilda without discussing the stand-out performance of Tony nominee Bertie Carvel as Miss Trunchbull. If I had to describe his performance in one word, it would be: scary. I am not a child and I was scared of him, or at least scared of the possibility of his character breaking the fourth wall! First of all, the costume designers and make-up artists must be credited with making Miss Trunchbull look truly hideous. The rotting teeth and facial warts complete with a single protruding hair were particularly effective. I also loved the hairy legs- a nice touch.  With a chilling smirk, an insidious glance, a determined narrowing of the eyes, and an intimidating command of the stage, Bertie Carvel has created a truly creepy character.  Bravo. 

Tony nominee Gabriel Ebert and Lesli Margherita were a great comic duo as Matilda’s parents. Though the characters were ignorant and self absorbed, I thoroughly enjoyed their time on the stage because they were just hilarious.  Tony nominee Lauren Ward was perfectly sweet and well-mannered as Miss Honey, Matilda’s teacher and advocate.   

Choreography by Peter Darling was fabulous- it made me want to go home and jump on a swing-set! The energetic ensemble of young performers, who played Matilda’s classmates, was fantastic. I also loved the library-themed sets. 

Music by Tim Minchin included several memorable songs, specifically “Revolting Children” and “Naughty”, but many songs seemed to support the choreography rather than provide a memorable melody to the ear. Not that I’m complaining, because as I mentioned earlier, the choreography was a major highlight in this show. 


Check out Matilda at the Shubert Theatre on Broadway! 

April 27, 2013

My Tony Award Picks 2013 (Musicals)


It’s the most wonderful time of the year..... for the Broadway lover!  On Tuesday, April 30, Sutton Foster and Jesse Tyler Ferguson will announce the highly-anticipated 2013 Tony Award nominations. The Tony Awards will air live from Radio City Music Hall on June 9th. 

As I eagerly await Tuesday’s nominations, I’ve made a list of my own Tony picks for some of the musical categories. 

I hope you enjoy- please comment and share your own Tony picks below! 

BEST MUSICAL
1.) Hands on a Hardbody- a very unique and original musical that closed far too soon. With its creative choreography, solid music, heart-warming story, and stand-out performers, this musical deserves a Tony nod. 

2.) Kinky Boots- book by Harvey Fierstein + music and lyrics by Cyndi Lauper + Billy Porter’s amazing voice = great entertainment. Need I say more?

3.) Matilda- The dark children’s book by Roald Dahl has been transformed into a stage production. Matilda is well-written, well-staged, and boasts several stand-out performances- particularly Bertie Carvel as Miss Trunchbull. 

Who will win? 
Matilda. 
However, I would love to see Hands on a Hardbody take home this Tony Award. 

BEST REVIVAL OF A MUSICAL
**All five eligible productions- Annie, The Mystery of Edwin Drood, Cinderella, Jekyll and Hyde, and Pippin- were very solid and any of these shows would, in my opinion, be deserving of a nomination. However, two shows did stand out for me. 

1.) Pippin- with its spectacular circus choreography, this production brings something new and exciting to the Broadway stage and quite possibly employs the most talented ensemble on Broadway right now. 

2.) The Mystery of Edwin Drood- How many musicals have more than one possible
ending? This killer cast (no pun intended) had me in stitches. 

Who will win?
Pippin

BEST LEADING ACTOR IN A MUSICAL
1.) Bertie Carvel as Miss Trunchbull in Matilda- an outstanding, formidable, transformative performance. 

2.) Rob McClure as Charlie Chaplin in Chaplin- He transfixed the audience with his perfect embodiment of Charlie Chaplin. 

3.) Billy Porter as Lola in Kinky Boots- the heart of the show. 

4.) Constantine Maroulis as Jekyll and Hyde in Jekyll and Hyde- Constantine carried the entire show and transformed effortlessly between good and evil.... and that voice. 

5.) Anthony Warlow as Daddy Warbucks in Annie- some of the best moments in this show were the scenes between Daddy Warbucks and Annie thanks to the great chemistry between him and Lilla Crawford. 

Who will win?
Bertie Carvel. 
However, I would love to see Rob McClure win for his role in Chaplin

BEST LEADING ACTRESS IN A MUSICAL
1.) Carolee Carmello as Aimee Semple McPherson in Scandalous- a powerhouse performance. 

2.) Patina Miller as the Leading Player in Pippin- she gave a mysterious and manipulative performance, while mastering Fosse’s choreography. In this role, Patina has proven that she is the ultimate triple threat. 

3.) Laura Osnes as Cinderella in Cinderella- she was born to play this part. 

Who will win?
Patina Miller

BEST FEATURED ACTOR IN A MUSICAL
1.) Will Chase as John Jasper in The Mystery of Edwin Drood- Did he really do it?

2.) Hunter Foster as Benny Perkins in Hands on a Hardbody- his character started out as a jerk but ended up having so much depth. 

3.) Gabriel Ebert as Mr. Wormwood in Matilda- one word: hilarious. 

Who will win?
Gabriel Ebert. 

BEST FEATURED ACTRESS IN A MUSICAL
1.) Andrea Martin as Bertha in Pippin- With one musical number, she somehow managed to steal the show while simultaneously dangling from a trapeze. (Note: she plays a grandma......)

2.) Annaleigh Ashford as Lauren in Kinky Boots- It’s about time this talented funny girl got a Tony nomination!

3.) Keala Settle as Norma in Hands on a Hardbody- with her killer pipes, she brought the house down with her big number. 

Who will win?
Andrea Martin. But I would not be sad if Keala Settle won....

What were your favorite Tony-worthy performances this season??

April 5, 2013

5 Great Things About Hands on a Hardbody


Broadway
Brooks Atkinson Theatre
3/2/13 matinee

Synopsis: Hands on a Hardbody is based on the 1997 documentary about a group of down-on-their-luck Texans who enter the ultimate competition of endurance. The contestant who is able to stay standing with his or her hand on a shiny, new Nissan truck for the longest amount of time will take that truck home! The musical introduces ten contestants with very different backgrounds and life experiences, some based on real-life contestants from the documentary and some fictional.  Each character reveals his or her story to the other contestants, and in doing so, embarks on a physical and spiritual journey. And while there is only one winner (no spoilers), every contestant takes something special away from the competition and becomes a stronger person for having participated in the contest. 

5 Great Things About Hands on a Hardbody

1.) The Timing. Everyone knows that timing is critical to the success of a Broadway musical. I would argue that Hands on a Hardbody has impeccable timing and this is why. This musical depicts the lives of ten very heterogenous and very real people. The ten actors on stage, who could easily be mistaken for members of the audience, appear no different than the people you might pass by on the street. There are no flashy costumes or lion puppets or flying witches or dancing ensembles. They are simply ten down-on-their-luck Texans, not unlike many real-life Americans who are currently struggling with economical and financial hardships and the effects of war. Given the current economic climate, I think this story could really strike a chord with people because the story is true to the times and the characters are real and relatable. 

2.) The Truck.  The truck (named Layla) is its own unique entity on the stage, a separate character and the star of the show. After all, everything- the story, the choreography, the music- revolves around the truck. Gliding gracefully across the stage, the truck is seamlessly incorporated into Sergio Trujillo’s clever, inventive choreography. To envision choreography in which each actor must keep one hand on the truck at all times is an impressive feat, and for that reason alone, this show is something to see. 



3.) An Original Concept. With all the shows on Broadway, why did I choose to spend my Saturday afternoon at this particular show? Because the concept of ten contestants who vie to be the last person with their hands on a hardbody is, well, unique, and elicits curiosity. The concept is not something you see every day on Broadway and what theatre fan doesn’t crave subject matters that are new and fresh? And I promise you, this original concept does not disappoint. 

4.) The Characters. Hands on a Hardbody portrays ten very unique characters, some of whom are quite endearing, while others are a bit eccentric. Listening to the dialogue between these characters and watching them interact with each other on stage can be quite hilarious to say the least. I still crack up when I think of Janis’ husband sitting on the sidelines wearing a cardboard sign-hat and sipping a “Big Gulp”, while cheering on his wife. Anyway, these characters are sure to give you lots of “laugh out loud” moments. 

5.) The Music. Hands on a Hardbody offers a solid score by Trey Anastasio and Amanda Green. The score primarily has a country and rock “feel” to it with some powerful ballads and an outstanding gospel number performed by Keala Settle. And as I stated earlier, the integration of the truck into the music and choreography is most impressive and enjoyable to watch. 



February 23, 2013

UPCOMING BROADWAY MUSICALS


SPRING, 2013

CINDERELLA
Preview: 1/25/2013
Opens: 3/3/2013
Theatre: Broadway
Cast: Laura Osnes, Santino Fontana, Victoria Clart, Harriet Harris, Marla Mindelle, Greg Hildreth, Peter Bartlett
Description: The classic fairy tale is making its Broadway debut! Under the direction of Mark Brokaw, this beloved Rodgers and Hammerstein musical has been re-imagined by book-writer Douglas Carter Beane. 





HANDS ON A HARDBODY
Preview: 2/23/2013
Opens: 3/21/2013
Theatre: Brooks Atkinson
Cast: Keith Carradine, Hunter Foster, Mary Gordon Murray, Jay Armstrong Johnson, David Larsen, Allison Case
Description: Based on the 1997 documentary, this show tells the story of ten Texans who are competing for a brand new hardbody truck. The contestant who keeps his or her hand on the truck the longest wins the prize and a chance at living the American Dream. 





MATILDA
Preview: 3/4/2013
Opens: 4/11/2013
Theatre: Shubert
Cast: Bailey Ryon, Milly Shapiro, Sophia Gennusa, Oona Laurence, Bertie Carvel, Lauren Ward, Gabriel Ebert, Lesli Margherita
Description: Based on the novel by Roald Dahl and winner of seven Olivier Awards, Matilda is a perceptive, but unfortunate young girl who is mistreated by her parents and the headmaster at her boarding school, but she possesses very special powers... 






KINKY BOOTS
Preview: 3/5/2013
Opens: 4/4/2013
Theatre: Al Hirschfeld
Cast: Stark Sands, Billy Porter, Annaleigh Ashford, Celina Carvajal
Description: Kinky Boots boasts music and lyrics by Cyndi Lauper, book by Harvey Fierstein, and direction/choreography by Jerry Mitchell. Based on a British film of the same name, Charlie Price saves his father’s shoe factory with the help of a drag queen named Lola and some kinky boots. 





MOTOWN
Preview: 3/11/2013
Opens: 4/14/2013
Theatre: Lunt-Fontanne
Cast: Brandon Victor Dixon, Valisia LeKae, Charl Brown, Bryan Terrell Clark
Description: Motown tells the story of music producer Berry Gordy as he discovers the talents of Diana Ross, Michael Jackson, Smokey Robinson, Marvin Gaye, and Stevie Wonder. 





PIPPIN
Preview: 3/23/2013
Opens: 4/25/2013
Theatre: The Music Box
Cast: Patina Miller, Matthew James Thomas, Andrea Martin, Charlotte d’Amboise, Terrence Mann, Rachel Bay Jones
Description: Hailing straight from the American Repertory Theatre in Cambridge, this is the very first Broadway revival of Stephen Schwartz’s musical. A young man named Pippin is on a journey to find meaning his life, and ultimately, he must choose between the ordinary life and a risky chance at greatness. This production boasts circus choreography by Gypsy Snider and is directed by Diane Paulus. 





JEKYLL AND HYDE



Preview: 4/5/2013
Opens: 4/18/2013
Theatre: Marquis
Cast: Constantine Maroulis, Deborah Cox, Teal Wicks
Description: This production will end its national tour with a limited engagement on Broadway. In an effort to cure his father’s mental illness, Dr. Henry Jekyll conducts a controversial experiment on himself, unleashing the evil alternate personality, Mr. Hyde. 



January 20, 2013

Million Dollar Quartet

North American Tour
Providence Performing Arts Center
January 15, 2013

It’s December 4, 1956. For the first and only time, four future legends congregate at Sun Record Studios in Memphis, TN for a spur-of-the-moment, unrehearsed jam session under the guidance of Sun Records owner, Sam Phillips, who discovered each member of this “million dollar quartet”- Elvis Presley, Jerry Lee Lewis, Johnny Cash, and Carl Perkins. Million Dollar Quartet is the musical reenactment of this special night in rock ‘n’ roll history. 

Comments: Million Dollar Quartet is like time-traveling backwards to a 1950’s rock concert. A real audience-pleaser, many of the singers’ most well-known songs are showcased such as “Blue Suede Shoes”, “Folsom Prison Blues”, “That’s All Right”, “I Walk the Line”, “Hound Dog”, and “Great Balls of Fire”. I particularly liked the gospel tunes, “Down By the Riverside” and “Peace in the Valley”, which were sung in perfect harmony. 

Elvis Presley was played by Billy Woodward, and his performance was inspired by a young Elvis early in his career that went beyond doing a mere “Elvis impression”. David Elkins captured the vocal quality and speech inflection of Mr. Johnny Cash very well, and his singing was probably the closest to the “real thing”. Lesser known is Carl Perkins, played by James Barry, who I felt had the most depth of all the singers. Finally, show stealer Benjamin Goddard killed it as the crazy, piano-thumping Jerry Lee Lewis. Bravo. 

Vince Nappo portrayed Sam Phillips and although he didn’t do much singing, he was very effective as the tie that brought the million dollar quartet together.  The addition of a female character named Dyanne (Elvis’ girlfriend), played by Kelly Lamont, balanced the show musically. 

This musical is not solely a “concert”; several minor story-lines are incorporated into the performance that explain each singer’s career struggles/triumphs at that time. 

Million Dollar Quartet is appealing to all generations and reminiscent of a great period in music history.  If you want an enjoyable night at the theatre, check out the national tour here

January 19, 2013

Eight Reasons to See Pippin on Broadway


Diane Paulus’ Broadway-bound production of Pippin concludes its run at the American Repertory Theatre (A.R.T.) in Cambridge, MA on January 20, but the production won’t be idle for long!  Pippin will start Broadway previews on March 23 at the Music Box Theatre. 

Synopsis: The play begins with the introduction of an ensemble of actors and a Leading Player, who reveals to the audience that they are about to relay the story of a young man named Pippin who is searching for meaning and purpose in life. A recent college graduate, Prince Pippin returns home to his father and stepmother, King Charlamagne and Fastrada, and begins his pursuit of the “fulfilled” life. During this personal quest, Pippin seeks the advice of many, including his father, stepmother, his grandmother Berthe, and the Leading Player, all of whom compel Pippin to undertake many roles, most notably, a soldier, a monk, a murderer, a king, and a lover, none of which fulfill him.  Alone and desperate, he encounters an ordinary woman named Catherine, a widow, and her son Theo, and senses what it means to be fulfilled. Pressured by the Leading Player to perform the most incredible act- the Finale, Pippin leaves Catherine and this ordinary life behind. Ultimately, Pippin must choose between performing an extraordinary, but dangerous feat and living an ordinary, but fulfilling life. 

Eight Reasons to See Pippin on Broadway

1.) It’s a circus!! Director Diane Paulus employed the talents of circus choreographer, Gypsy Snider of Les 7 Doigts de la Main, in creating some of the most exhilarating stunts to ever be performed in a musical!  Further, the choreography, created by Chet Walker in the style of original director/choreographer Bob Fosse, is incorporated strategically into the story in a very theatrical fashion and in a way that propels the story forward. The utilization of a circus theme and daring choreography enhances the element of danger that is a major theme in the story. 

2.) It’s the first Broadway revival of a “gem”. In fact, I wonder why this underrated, overlooked show has not been revived sooner. The original Broadway production ran from 1972-1977. 

3.) Stephen Schwartz of Godspell and Wicked fame composed the score, so it’s no surprise that the music is great. Personally, I loved the opening number (“Magic to Do”) because it sets the mood for the show and immediately pulls the audience into the story.  The score is light, upbeat, and harmonious, which directly contradicts the story’s underlying darkness.  

4.) Patina Miller as the Leading Player gave a mysterious and calculating performance. In Pippin, she shows her versatility as an actress, and while we all loved her Tony-nominated performance as Deloris Van Cartier in Sister Act, she really proves that she won’t be typecast as the funny, sassy leading lady.  And that voice...

(Sidenote: The Broadway cast of Pippin has not been announced)

5.) The set, a giant tent, and the lighting are captivating and magical. 

6.) The audience gets the chance to sing with the incomparable Andrea Martin while watching her hang upside down from a trapeze. Now that doesn’t happen every day. The scene between Berthe and Pippin is one of the great comedic moments of the show and is not to be missed. 

7.) On the surface, Pippin appears to be a light-hearted story about a young man in search of himself, yet there is far more depth and meaning to this story than initially expected. For the purposes of this blog, it is not my intent to analyze Pippin; however, I can promise that this show will make you think. How many musicals can do that? 

8.) Last, but not least- a sweet little dog makes an appearance! 

I hope the above eight reasons will encourage you to check out Pippin on Broadway, which opens in previews on March 23, 2013 at the Music Box Theatre! 

January 6, 2013

Jekyll & Hyde


National Tour
Providence Performing Arts Center
1/1/13

Last Tuesday evening, I saw the opening performance of Jekyll & Hyde at the Providence Performing Arts Center. The production is currently on a 25-city national tour that will conclude with a Broadway revival at the Richard Rodgers Theatre in April. Based on the novella, Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson, the original production ran on Broadway from 1997 to 2001. Music was written by Frank Wildhorn, lyrics by Wildhorn, Steve Cuden, and Leslie Bricusse, and book by Bricusse. 

Synopsis: Jekyll & Hyde is the story of the brilliant, but obsessive, Dr. Henry Jekyll, who longs to understand why man is both good and evil in order to help his institutionalized father. He proposes to test his theory on a human subject, but to Jekyll’s dismay, his proposal is rejected by the Board of Governors and he is called a “madman”. With the faith and support of his fiance, Emma Carew, Jekyll decides to conduct his experiment on himself. Injecting himself with a potion, he is taken over by his evil personality, a character called Edward Hyde, who goes on a malicious killing spree. And so begins the struggle between the two personalities, or rather, the struggle between good and evil. In the end, Jekyll finally realizes that there is no way to control Hyde, and the only way to prevent further harm is to kill himself. 

Comments: The role of Jekyll/Hyde was played by Constantine Maroulis. Maroulis proves that his talents go far beyond the world of “American Idol”, if he hadn’t already proven that during his Tony-nominated performance in Rock of Ages. He has a soaring tenor voice that is well-suited for this pop-rock score. He alternates from the thoughtful, reserved Jekyll to the vile, maleficent Hyde with ease and clarity. He is very well-cast in this role. 

As Lucy, Deborah Cox is given some of the best songs in Wildhorn’s score; “Bring on the Men”, “Sympathy, Tenderness”, “Someone Like You”, and “In His Eyes”, a duet with Emma, and I thought she did these songs justice. She has a strong belt and her voice has a modern sound rather than the traditional Broadway belt, but this seemed to work for the role. Her singing was one of the most enjoyable things about the show. Her acting was solid and I really enjoyed her scenes with Jekyll. 

Teal Wicks played Emma Carew, and she was outstanding. On Broadway, she was most recently seen in Wicked as Elphaba, and it was delightful to see her portray another strong, yet completely different type of character. Her singing voice is beautiful, as she alternates between belt and soprano. “In His Eyes”, a duet between Emma and Lucy, is one of the highlights of the show.  

I thought that Frank Wildhorn’s score was very good with several memorable songs. The score has an early 90’s, pop-rock feel to it, which was amplified by Deborah Cox’s modern R&B voice. Constantine sang the heck out of “This is the Moment”, which was a huge audience-pleaser! 

My only complaint is that I couldn’t understand most of Constantine’s lyrics, but I think this is related to poor acoustics at PPAC and not his performance. 

I also have to mention the awesome projections of Hyde lurking on the stage during intermission.  Very spooky. 

Finally, the show is thought-provoking, and you may find yourself thinking about good and evil in humanity just like Jekyll. Just don’t try mixing up any potions or you might end up like him! (Just kidding)

Les Miserables- the movie


The highly anticipated movie-musical, Les Miserables, opened in theaters on Christmas Day with generally positive buzz. The original Broadway production ran for 16 years from 1987-2003, won the Tony Award for Best Musical, and is currently the 4th longest running Broadway show. Les Miserables will return to Broadway in 2014 after the 2nd National U.S. tour is completed. 

Synopsis: Based on the 19th century French novel by Victor Hugo, Les Miserables is the story of Jean Valjean, a poor French man who serves 19 years of hard labor for stealing a loaf of bread for his sister’s starving child. When he is finally released on a lifetime of parole, he is unable to find employment as a known ex-con. Inspired by a bishop’s act of kindness, Jean Valjean breaks parole, and over the next eight years, he assumes a new identity and becomes a factory owner and mayor. A young woman named Fantine is a worker at Jean Valjean’s factory. When the other factory workers and foreman discover that Fantine has an illegitimate child who lives with an innkeeper, she is dismissed from the factory and forced to sell her jewelry, hair, and teeth for money, and later becomes a prostitute. When Fantine dies of consumption, Jean Valjean feels guilt over her dismissal from his factory, and he promises that he will find and care for her daughter, Cosette, who is being abused by the Thenardiers. He pays the Thenardiers 1500 francs for Cosette. Meanwhile, Javert, a policeman who knew Jean Valjean during his jail time, recognizes him as a fugitive of the law, and this begins a cat and mouse chase that will last for the next ten years. 

Ten years later, a young student named Marius meets a now grown-up Cosette and instantly falls in love with her, but Marius is secretly loved by the Thenardier's daughter, Eponine. Another student, Enjolras, organizes a revolution after learning of General Lamarque’s death, and a barricade is built, while Javert disguises himself in order to spy on the students. Eponine also disguises herself as a man and joins Marius and the student rebels, but is shot and killed.  When Javert is exposed as a spy,  Jean Valjean offers to kill him, but instead sets him free. All of the students are killed in battle except for Marius, who is wounded and carried to safety through the sewers by Jean Valjean. Jean Valjean and Javert meet for the final time but Javert is unable to apprehend him because Jean Valjean had saved his life. Javert commits suicide out of shame. 

Jean Valjean tells Marius the truth about his past, but asks him to never tell Cosette. Marius and Cosette marry, and Marius realizes that Jean Valjean was the man who saved his life at the barricade. Marius and Cosette go to Jean Valjean, who is dying, and Marius is able to thank him for saving his life before he dies. 

Comments: I will start by stating that this film is very, very good and quite possibly one of the best, if not THE best, musical movie in recent years. I recommend Les Miserables to anyone and everyone. But what prevents it from being an excellent film is the same mistake that plagues most musical movies- the casting of actors who can sing adequately, but are not singers. Luckily, Les Miserables is so visually stunning and emotionally raw that it mostly distracts from some of the disappointing vocal moments in the movie. 

Hugh Jackman as Jean Valjean was fantastic. He completely embodied his character, physically, emotionally, vocally; from the familiar opening notes of the overture until his bittersweet “death”, Hugh Jackman WAS Jean Valjean.  His performance was emotionally raw, authentic, and honest. He carried the entire “show” with ease. Bravo. 

Russell Crowe played Javert and I found his performance to be very repressed and unemotional; however, this may have been his interpretation of the character? I thought his acting improved toward the end of the movie. During his final scenes with Jean Valjean, he did bring out hints of Javert’s passion and shame. His singing was a bit nasal and mediocre. 

Perhaps the most talked-about performance is Anne Hathaway as Fantine. Her performance is... heartbreaking. Tragic. Raw. And though her screen time is probably fifteen or twenty minutes early in the movie, her character will linger in your mind throughout the movie, which is really a testament to the actress’ performance. Her emotional rendition of “I Dreamed a Dream” is raw and honest; however, there was no emotional arc because she cried through the entire song. I have mixed feelings about her vocal performance. On the one hand, her performance of this iconic number is superbly acted and was very enjoyable in this sense. On the other hand, the copious tears were also a distraction from the fact that she is not a strong singer. Within the context of the movie, I would say that “I Dreamed A Dream” is enjoyable despite her vocal shortcomings; with that said, if I want to hear “I Dreamed A Dream” on my iPod, I’ll stick to the Broadway cast album. But overall, Bravo. 

West End actress Samantha Barks plays Eponine and by far, she gave the standout vocal performance in the movie. “On My Own” was perfect. I loved the rain. I loved the close shots of Eponine. I loved the emotional arc that she brought to the song. I loved her chemistry with Eddie Redmayne (Marius), especially during the heart-wrenching song, “A Little Fall of Rain”. Many actresses have played Eponine during the past 25 years, but Samantha Barks brought something special to this beloved character. Bravo. 

Eddie Redmayne played Marius and he also had a great voice and gave a very emotional and honest performance. His performance was a nice surprise for me, because I was not expecting him to be as good as he was. Amanda Seyfried played Cosette and was good. Cosette is not a standout character because the book does not give her much depth, but she does the best with what she is given. She sings with a very unique vibrato and her voice is a bit airy and thin. As Enjolras, Aaron Tveit was outstanding and by far, had the best death scene. He also stood out vocally, but this is not a huge surprise since he comes straight from Broadway. 

The Thenardiers were played by Sasha Baron Cohen and Helena Bonham Carter and they had great chemistry together as a comic duo. Finally, 10 year old Isabelle Allen was excellent as Young Cosette and sang beautifully in her debut performance (and eerily resembles the child on the former Les Miserables marquee and poster). 

In conclusion, Les Miserables is a must-see for theatre-lovers and movie-lovers alike. This film is filled with raw, honest, emotional performances by very talented actors. The sets are visually stunning. The story-telling is authentic. Despite some vocal shortcomings, Les Miserables is, in my opinion, one of the best musical movies to ever grace the silver screen. Go see it. 

January 1, 2013

Annie


Broadway
Palace Theatre
December 1, 2012

Miss Hannigan’s sweet and endearing orphans are bringing sunshine and optimism to audiences at the Palace Theatre this holiday season in the latest revival of the beloved musical, Annie

Synopsis: The year is 1933. The location is New York City. Seven lonely, mistreated orphans long for the warmth and love of a real home. Their dreams of having parents are dashed by the evil orphanage supervisor, Miss Hannigan, who despises “little girls”. One orphan, Annie, was left at the orphanage eleven years earlier with a locket and a note from her parents stating that they would return for her. Fed up with living the life of an orphan, Annie runs away from the orphanage in search of her parents, but is caught and returned to Miss Hannigan. However, Annie’s luck is about to change when billionaire Oliver Warbucks invites an orphan to spend the holidays at his mansion in order to improve his public image. Daddy Warbucks is quickly smitten with Annie and decides to adopt her, but Annie yearns to find her real parents. A generous reward offered for the whereabouts of Annie’s parents brings trouble in the form of greedy parent imposters and the envious Miss Hannigan. But all ends well when the imposters are revealed and Annie is adopted by Daddy Warbucks. 

Comments: As the title role, 11 year old Lilla Crawford is charming and spunky with a voice that fills the colossal Palace Theatre- a great task for an eleven year old, but Lilla sings with ease and clarity. Lilla and Anthony Warlow as Daddy Warbucks have excellent chemistry, and their scenes together are delightful, especially the musical number, “I Don’t Need Anything But You”. Warlow is impeccable as the gruff billionaire whose persona softens as he is forever changed by an orphan. Katie Finneran portrays Miss Hannigan sympathetically, emphasizing the discontented, despairing, resentful, and slightly unstable side of the character, but nails the comedic timing as usual. Her interaction with the orphans, especially little Molly, was hilariously appalling, and although her character is loathsome, you love to hate her. Speaking of Molly, Emily Rosenfeld is the most adorable and endearing little girl on that stage, but all of the orphans are animated and energetic, stealing the show with dance numbers like “You’re Never Fully Dressed Without A Smile” and “It’s the Hard Knock Life”. Brynn O’Malley was perfection as Grace Farrell, and sang beautifully. Clarke Thorell and J. Elaine Marcos were very good as villains Rooster and Lily, although not particularly memorable- with that said, Annie is filled with so much heart and optimism that I don’t think Rooster and Lily are meant to be memorable. My favorite part of Annie was Sunny, the rescue dog who played Sandy. Who doesn’t love to see a dog on stage? 

Check out Annie at the Palace Theatre for a surefire audience pleaser! 

December 19, 2012

My Top Ten Favorite Performances of 2012

Here is a list of ten favorite and memorable performances that I attended during 2012.

1.) Carolee Carmello as Aimee Semple McPherson in Scandalous on Broadway. A powerhouse performance. Read more about her performance here

2.) The National Touring company of Memphis led by Bryan Fenkart and Felicia Boswell. Who would have thought that two actors with talents rivaling that of original Broadway performers, Chad Kimball and Montego Glover, even existed? The best touring production I've seen in a long time. Read more here

3.) Christina DeCicco (Eva alternate) in Evita on Broadway. I loved the entire production of Evita, but I especially loved Christina's portrayal of the mysterious and contradictory first lady of Argentina. I will be sad to see this show exit in 2013. 

4.) Rob McClure as Charlie Chaplin in Chaplin on Broadway.  Mastering Chaplin's physical comedy, his performance was perfection and worthy of a Tony nomination. Read more about his performance here

5.) The cast of Once, 2012 Tony Award winner for best new musical. With honest, emotionally-raw performances by Cristin Milioti and Steve Kazee, Once is unique and refreshing

6.) The four talented cast members of Broadway's Who's Afraid of Virginia Woolf; Amy Morton, Tracy Letts, Carrie Coon, Madison Dirks. This production left me amazed and speechless. 

7.) Tracie Bennett as Judy Garland in End of the Rainbow on Broadway. An impeccable and powerful performance. 

8.) The cast of Peter and the Starcatcher on Broadway. An exercise of creativity and imagination. 

9.) The dancing newsboys in Newsies on Broadway. Never have I experienced such impeccable and exhilarating choreography! Bravo, boys! 

10.) For favorite "funny" performances, I can't decide between Da'Vine Joy Randolph as Oda Mae Brown in Ghost and Ari Graynor as Peeps in The Performers. Both stole the show with impeccable comedic timing.

Now tell me about YOUR favorite performances of 2012!